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Tilaka ( Tika or Tilakam or Tilak )

Tilak is a mark of auspiciousness. It is put on the forehead with sandal paste, sacred ashes or kumkum (red tumeric). The devotees of Siva apply sacred ashes (Bhasma) on the forehead, the devotees of Vishnu apply sandal paste (Chandan), and the worshippers of Devi or Shakti apply Kumkum, a red tumeric powder.


The scriptures say: "A forehead without a Tilak, a woman without a husband, a Mantra the meaning of which is not known while doing Japa (recitation), the head that does not bend before holy personages, a heart without mercy, a house without a well, a village without a temple, a country without a river, a society without a leader, wealth that is not given away in charity, a preceptor without a disciple, a country without justice, a king without an able minister, a woman not obedient to her husband, a well without water, a flower without smell, a soul devoid of holiness, a field without rains, an intellect without clearness, a disciple who does not consider his preceptor as a form of God, a body devoid of health, a custom (Achar) without purity, austerity devoid of fellow-feeling, speech in which truth is not the basis, 

a country without good people, work without wages, Sannyasa without renunciation, legs that have not performed pilgrimages, determination unaided by Viveka or discrimination, a knife which is blunt, a cow that does not give milk, a spear without a point- all these are worthy of condemnation. They exist for name’s sake only."


From this you can imagine the importance of Tilak or the sacred mark.
Tilak is applied at the Ajna Chakra, the space between the two eyebrows. It has a very cooling effect. Application of sandal paste has great medicinal value, apart from the spiritual influence. Application of sandal paste will nullify the heating effect when you concentrate and meditate at the Bhrumadhya. Tilak indicates the point at which the spiritual eye opens. Lord Siva has a third eye at the Brumadhya. When he opens the third eye, the three worlds are destroyed.

So also, when the third eye of the Jiva is opened, the three kinds of afflictions – Adhyatmika, Adhidaivika and Adhibhautika- are burnt to ashes. The three Karmas- Sanchita, Prarabdha and Agami,- and also all the sins committed in the countless previous births, are burnt. When you apply the Tilak, you mentally imagine: "I am the one non-dual Brahman free from all duality. May my eye of intuition open soon." You should remember this every time you apply a Tilak.

There are various methods of applying Tilak. Saivas apply three horizontal lines with the sacred ashes. The vaishnavas apply three vertical lines (Tripundra) on the forehead. When they apply Tilak, they say: "O Lord, protect me from the evil effects of the Trigunatmika Maya which has Sattwa, Rajas and Tamas as its binding cords."



Some Vaishnavas apply only one vertical line. Only the method of application differs, but the significance is the same in both the Vaishnavas and the Saivas.

Atharvana Upanisad :
Anyone who marks his body with the tilak which resembles the lotus feet of Lord hari becomes dear to the Paramatma. He becomes fortunate and attains liberation.

Maha Upanisad
One gets released of all the bondage of samsara when one marks his body with the tilak markings and knows Narayana who is known by karma, jnana and bhakti yogas. Ultimately, he attains Lord Visnu.

Agni Purana
A brahmana should not wear the three lined tilak across (tiryak pundra) even for as a joke or play. One should mark his body with the vertical tilak only according to the prescribed rules.

Brahmanda Purana
A brahmana should wear urdhva pundra; a ksatriya ardha candrakara (half-moon) pundra; vaisya round shaped pundra; and a sudra tri pundra (horizontal tiryak pundra). A brahmana should never wear the horizontal tilak. He is to be considered a sudra if he wears it.

Brahmaratra
One should meditate on Me by chanting Om and should mark his body with vertical tilak daily. Anyone who marks thus attains sayujya liberation.

Vasista smrti
One should mark the tilak on his forehead as follows: he should start from the nose tip and go till his kesa (hair). The width should be one angula (circa 1 inch). This is urdhva pundra laksana.

Sanat Kumara Samhita
Urdhva pundra should be worn with clay and should be worn with a gap inbetween and nicely. In between the two lines, one should mark Sri or Laksmi in the form of Haridhra curna. One should not mark anything else inbetween. Anyone who marks like this is freed from all sinful reactions. Anyone who marks the tilak without any gap is condemned.

Padma Purana
Those devotees on whose neck tulasi kanti mala and lotus seed kanti malas are hanging and on whose shoulders there are the markings of conch and cakra and on whose body there are 12 tilak markings, they purify the entire universe immediately.

Isvara samhita
Anyone who marks his body with the clay which has touched Lord Visnu's body attains the benefit of an asvamedha sacrifice and is glorified in Visnu's abode. One should mark inbetween the vertical lines mother Laksmi with the help of yellow curna or powder.

Putting on Tilaka:
In the Uttara-khanada of the Padma Purana, Lord Shiva says to Parvati that in the middle of the "V" of the Vaishnava tilaka mark there is a space and in that space reside Lakshmi and Narayana. Therefore, the body that is decorated with tilaka should be considered a temple of Lord Vishnu. The Padma Purana also states:

vama-parshve sthito brahma
dakshine cha sadashivaha
madhye vishnum vijaniyat
Tasman madhyam na lepayet

"On the left side of the tilaka Lord Brahma is situated, and on the right side is Sadashiva, but one should know that in the middle dwells Lord Vishnu. Therefore one should not smear the middle section."

One should pour a little water into the palm of his left hand and rub gopi-chandana (mud from Dwaraka) into it. When making Tilaka the following mantra from the Uttara Khanda of the Padma Purana:
lalate keshavam dhyayen
narayanam athodare
vaksha-sthale madhavam tu
govindam kantha-kupake
vishnum cha dakshine kukshau
bahau cha madhusudanam
trivikramam kandare tu
vamanam vama-parshvake
shridharam vama-bahau tu
hrishikesham cha kandhare
pristhe tu padma-nabham cha
katyam damodaram nyaset
tat prakshalana-toyam tu
vasudeveti murdhani

In accordance with the above mentioned mantra one should apply the gopi-chandana with the ball of the middle finger tip to make the tilaka marks on the twelve parts of the body. According to the Brahmanda Purana, one should not use the fingernail to make the space in the middle of the tilaka. One should place a thin damp cloth over the finger and make the space with that. Thus, when the tilaka is applied, the following mantras should be chanted:

The forehead--om keshavaya namaha
The belly--om narayanaya namaha
The chest--om madhavaya namaha
The throat--om govindaya namaha
The right side of the waist--om vishnave namaha
The right upper arm--om madhusudanaya namaha
The right shoulder--om trivikramaya namaha
The left side of the waist--om vamanaya namaha
The left upper arm--om shridharaya namaha
The left shoulder--om hrishikeshaya namaha
The upper back--om padmanabhaya namaha
The lower back--om damodaraya namaha

Finally, after washing one's had, whatever water is left should be wiped on the top of the head in the region of the shikha (tuft of hair) with the mantra: om vasudevaya namaha.

In the Padma Purana it is stated:
nasadi-kesha-paryantam
urdhva-pundram sushobhanam
madhye chidra-samayuktam
tad vidyad dhari-mandiram

"That marking (of tilaka), which begins from the root of the nose and extends up to the hairline, which has a space in it and is very beautiful, is known as urdhva-pundra (tilaka). One should know it to be a temple of Lord Hari [Vishnu]." The Padma Purana also mentions that the tilaka marking should only extend three quarters of the way down the nose from the root of the nose, which is located between the eyebrows. The space in the middle of the tilaka should begin from between the eyebrows and extend up to the hairline. The marking on the nose and forehead should be connected. That is a perfect tilaka marking.

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